Friday, September 10, 2010

Striking pilots at Air Zimbabwe have been told that they could lose their jobs if they don’t return to work. The pilots are currently on the third day of striking over a pay dispute. Their wage is currently $2,500 a month, but the pilots are currently receiving just $1,200.

Jonathan Kadzura, board chairperson for Air Zimbabwe released a statement saying “The board and management have resolved to give them a 24-hour notice to go back to work. It must be understood clearly that the industrial action is illegal and if they do not go back to work inside the 24 hours, legal and disciplinary action will be taken.” He added that “Government does not have any money”.

Air Zimbabwe can’t afford to pay the airliner’s force of 60 pilots their full wage but has promised to make up all back-pay.

In the time that the staff have been striking Air Zimbabwe been forced to use pilots from private South African airline Quaries to cover local routes. The strike has cost the company around $500,000.

Friday, September 28, 2007

Bat for Lashes is the doppelgänger band ego of one of the leading millennial lights in British music, Natasha Khan. Caroline Weeks, Abi Fry and Lizzy Carey comprise the aurora borealis that backs this haunting, shimmering zither and glockenspiel peacock, and the only complaint coming from the audience at the Bowery Ballroom last Tuesday was that they could not camp out all night underneath these celestial bodies.

We live in the age of the lazy tendency to categorize the work of one artist against another, and Khan has had endless exultations as the next Björk and Kate Bush; Sixousie Sioux, Stevie Nicks, Sinead O’Connor, the list goes on until it is almost meaningless as comparison does little justice to the sound and vision of the band. “I think Bat For Lashes are beyond a trend or fashion band,” said Jefferson Hack, publisher of Dazed & Confused magazine. “[Khan] has an ancient power…she is in part shamanic.” She describes her aesthetic as “powerful women with a cosmic edge” as seen in Jane Birkin, Nico and Cleopatra. And these women are being heard. “I love the harpsichord and the sexual ghost voices and bowed saws,” said Radiohead‘s Thom Yorke of the track Horse and I. “This song seems to come from the world of Grimm’s fairytales.”

Bat’s debut album, Fur And Gold, was nominated for the 2007 Mercury Prize, and they were seen as the dark horse favorite until it was announced Klaxons had won. Even Ladbrokes, the largest gambling company in the United Kingdom, had put their money on Bat for Lashes. “It was a surprise that Klaxons won,” said Khan, “but I think everyone up for the award is brilliant and would have deserved to win.”

Natasha recently spoke with David Shankbone about art, transvestism and drug use in the music business.

DS: Do you have any favorite books?

NK: [Laughs] I’m not the best about finishing books. What I usually do is I will get into a book for a period of time, and then I will dip into it and get the inspiration and transformation in my mind that I need, and then put it away and come back to it. But I have a select rotation of cool books, like Women Who Run With the Wolves by Clarissa Pinkola Estés and Little Birds by Anaïs Nin. Recently, Catching the Big Fish by David Lynch.

DS: Lynch just came out with a movie last year called Inland Empire. I interviewed John Vanderslice last night at the Bowery Ballroom and he raved about it!

NK: I haven’t seen it yet!

DS: Do you notice a difference between playing in front of British and American audiences?

NK: The U.S. audiences are much more full of expression and noises and jubilation. They are like, “Welcome to New York, Baby!” “You’re Awesome!” and stuff like that. Whereas in England they tend to be a lot more reserved. Well, the English are, but it is such a diverse culture you will get the Spanish and Italian gay guys at the front who are going crazy. I definitely think in America they are much more open and there is more excitement, which is really cool.

DS: How many instruments do you play and, please, include the glockenspiel in that number.

NK: [Laughs] I think the number is limitless, hopefully. I try my hand at anything I can contribute; I only just picked up the bass, really—

DS: –I have a great photo of you playing the bass.

NK: I don’t think I’m very good…

DS: You look cool with it!

NK: [Laughs] Fine. The glockenspiel…piano, mainly, and also the harp. Guitar, I like playing percussion and drumming. I usually speak with all my drummers so that I write my songs with them in mind, and we’ll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology I can play all kinds of sounds, double bass and stuff.

DS: Do you design your own clothes?

NK: All four of us girls love vintage shopping and charity shops. We don’t have a stylist who tells us what to wear, it’s all very much our own natural styles coming through. And for me, personally, I like to wear jewelery. On the night of the New York show that top I was wearing was made especially for me as a gift by these New York designers called Pepper + Pistol. And there’s also my boyfriend, who is an amazing musician—

DS: —that’s Will Lemon from Moon and Moon, right? There is such good buzz about them here in New York.

NK: Yes! They have an album coming out in February and it will fucking blow your mind! I think you would love it, it’s an incredible masterpiece. It’s really exciting, I’m hoping we can do a crazy double unfolding caravan show, the Bat for Lashes album and the new Moon and Moon album: that would be really theatrical and amazing! Will prints a lot of my T-shirts because he does amazing tapestries and silkscreen printing on clothes. When we play there’s a velvety kind of tapestry on the keyboard table that he made. So I wear a lot of his things, thrift store stuff, old bits of jewelry and antique pieces.

DS: You are often compared to Björk and Kate Bush; do those constant comparisons tend to bother you as an artist who is trying to define herself on her own terms?

NK: No, I mean, I guess that in the past it bothered me, but now I just feel really confident and sure that as time goes on my musical style and my writing is taking a pace of its own, and I think in time the music will speak for itself and people will see that I’m obviously doing something different. Those women are fantastic, strong, risk-taking artists—

DS: —as are you—

NK: —thank you, and that’s a great tradition to be part of, and when I look at artists like Björk and Kate Bush, I think of them as being like older sisters that have come before; they are kind of like an amazing support network that comes with me.

DS: I’d imagine it’s preferable to be considered the next Björk or Kate Bush instead of the next Britney.

NK: [Laughs] Totally! Exactly! I mean, could you imagine—oh, no I’m not going to try to offend anyone now! [Laughs] Let’s leave it there.

DS: Does music feed your artwork, or does you artwork feed your music more? Or is the relationship completely symbiotic?

NK: I think it’s pretty back-and-forth. I think when I have blocks in either of those area, I tend to emphasize the other. If I’m finding it really difficult to write something I know that I need to go investigate it in a more visual way, and I’ll start to gather images and take photographs and make notes and make collages and start looking to photographers and filmmakers to give me a more grounded sense of the place that I’m writing about, whether it’s in my imagination or in the characters. Whenever I’m writing music it’s a very visual place in my mind. It has a location full of characters and colors and landscapes, so those two things really compliment each other, and they help the other one to blossom and support the other. They are like brother and sister.

DS: When you are composing music, do you see notes and words as colors and images in your mind, and then you put those down on paper?

NK: Yes. When I’m writing songs, especially lately because I think the next album has a fairly strong concept behind it and I’m writing the songs, really imagining them, so I’m very immersed into the concept of the album and the story that is there through the album. It’s the same as when I’m playing live, I will imagine I see a forest of pine trees and sky all around me and the audience, and it really helps me. Or I’ll just imagine midnight blue and emerald green, those kind of Eighties colors, and they help me.

DS: Is it always pine trees that you see?

NK: Yes, pine trees and sky, I guess.

DS: What things in nature inspire you?

NK: I feel drained thematically if I’m in the city too long. I think that when I’m in nature—for example, I went to Big Sur last year on a road trip and just looking up and seeing dark shadows of trees and starry skies really gets me and makes me feel happy. I would sit right by the sea, and any time I have been a bit stuck I will go for a long walk along the ocean and it’s just really good to see vast horizons, I think, and epic, huge, all-encompassing visions of nature really humble you and give you a good sense of perspective and the fact that you are just a small particle of energy that is vibrating along with everything else. That really helps.

DS: Are there man-made things that inspire you?

NK: Things that are more cultural, like open air cinemas, old Peruvian flats and the Chelsea Hotel. Funny old drag queen karaoke bars…

DS: I photographed some of the famous drag queens here in New York. They are just such great creatures to photograph; they will do just about anything for the camera. I photographed a famous drag queen named Miss Understood who is the emcee at a drag queen restaurant here named Lucky Cheng’s. We were out in front of Lucky Cheng’s taking photographs and a bus was coming down First Avenue, and I said, “Go out and stop that bus!” and she did! It’s an amazing shot.

NK: Oh. My. God.

DS: If you go on her Wikipedia article it’s there.

NK: That’s so cool. I’m really getting into that whole psychedelic sixties and seventies Paris Is Burning and Jack Smith and the Destruction of Atlantis. Things like The Cockettes. There seems to be a bit of a revolution coming through that kind of psychedelic drag queen theater.

DS: There are just so few areas left where there is natural edge and art that is not contrived. It’s taking a contrived thing like changing your gender, but in the backdrop of how that is still so socially unacceptable.

NK: Yeah, the theatrics and creativity that go into that really get me. I’m thinking about The Fisher King…do you know that drag queen in The Fisher King? There’s this really bad and amazing drag queen guy in it who is so vulnerable and sensitive. He sings these amazing songs but he has this really terrible drug problem, I think, or maybe it’s a drink problem. It’s so bordering on the line between fabulous and those people you see who are so in love with the idea of beauty and elevation and the glitz and the glamor of love and beauty, but then there’s this really dark, tragic side. It’s presented together in this confusing and bewildering way, and it always just gets to me. I find it really intriguing.

DS: How are you received in the Pakistani community?

NK: [Laughs] I have absolutely no idea! You should probably ask another question, because I have no idea. I don’t have contact with that side of my family anymore.

DS: When you see artists like Pete Doherty or Amy Winehouse out on these suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and with their music?

NK: It’s difficult. The drugs thing was never important to me, it was the music and expression and the way he delivered his music, and I think there’s a strange kind of romantic delusion in the media, and the music media especially, where they are obsessed with people who have terrible drug problems. I think that’s always been the way, though, since Billie Holiday. The thing that I’m questioning now is that it seems now the celebrity angle means that the lifestyle takes over from the actual music. In the past people who had musical genius, unfortunately their personal lives came into play, but maybe that added a level of romance, which I think is pretty uncool, but, whatever. I think that as long as the lifestyle doesn’t precede the talent and the music, that’s okay, but it always feels uncomfortable for me when people’s music goes really far and if you took away the hysteria and propaganda of it, would the music still stand up? That’s my question. Just for me, I’m just glad I don’t do heavy drugs and I don’t have that kind of problem, thank God. I feel that’s a responsibility you have, to present that there’s a power in integrity and strength and in the lifestyle that comes from self-love and assuredness and positivity. I think there’s a real big place for that, but it doesn’t really get as much of that “Rock n’ Roll” play or whatever.

DS: Is it difficult to come to the United States to play considering all the wars we start?

NK: As an English person I feel equally as responsible for that kind of shit. I think it is a collective consciousness that allows violence and those kinds of things to continue, and I think that our governments should be ashamed of themselves. But at the same time, it’s a responsibility of all of our countries, no matter where you are in the world to promote a peaceful lifestyle and not to consciously allow these conflicts to continue. At the same time, I find it difficult to judge because I think that the world is full of shades of light and dark, from spectrums of pure light and pure darkness, and that’s the way human nature and nature itself has always been. It’s difficult, but it’s just a process, and it’s the big creature that’s the world; humankind is a big creature that is learning all the time. And we have to go through these processes of learning to see what is right.

Wednesday, June 3, 2009

Over 60 miners were killed in an abandoned gold mine shaft near Welkom, in the Free State province of South Africa, after a fire broke out inside the mine.

36 bodies from the Harmony Gold mining company Eland mine shaft were brought up earlier on the weekend from depths up to 1.4 kilometers (1 mi). On Tuesday, 25 more bodies were recovered by other illegal workers.

“We suspect there was a fire on the 18th of May. We never saw any smoke. Over the weekend [30 May] we were informed by other illegal miners that people had died,” said Tom Smith, Chief Operating Officer for Harmony’s South Region, “The bodies are not burnt. It seems more of a case of gas or smoke inhalation. I don’t know if there are any more bodies down there, we just have to wait.”

The workers may have died from poisonous gasses, smoke inhalation, suffocation, cave-ins or carbon monoxide poisoning.

Harmony gold mine will not send anyone in to the mine as the conditions are extremely dangerous and abandoned shafts are without safety equipment. Illegal workers may gain access bypassing security at one mine site, and exit via a series of interconnected underground tunnels many miles away.

Harmony is internationally the fifth largest gold mining company and has bought up old, abandoned mines.

Police were seeking relatives to help identify the bodies, and are instigating an investigation into the circumstances.

Almost 300 “gold pirates” were arrested over the past two weeks at the Eland mine shaft alone. Thousands of illegal workers can be underground, and remain working for weeks and months continuously. “These are ex-miners and unemployed people – we need to target the syndicates,” said Smith.

There are over 4.18 million unemployed in South Africa due to the economic decline, and another 1 million may soon join the ranks.

Susan Shabangu, the minister of mining, extended her condolences.

Welkom, with a population of over 400,000 is located 160 kilometers (99 mi) northeast of Bloemfontein, the provincial capital.

Thursday, January 29, 2009

Giving a cow a name and treating her as an individual with “more personal touch” can increase milk production, so says a scientific research published in the online “Anthrozoos,” which is described as a “multidisciplinary journal of the interactions of people and animals”.

The Newcastle University‘s School of Agriculture, Food and Rural Development’s (of the Newcastle University Faculty of Science, Agriculture and Engineering) researchers have found that farmers who named their dairy cattle Ermintrude, Daisy, La vache qui rit, Buttercup, Betsy, or Gertrude, improved their overall milk yield by almost 500 pints (284 liters) annually. It means therefore, an average-sized dairy farm’s production increases by an extra 6,800 gallons a year.

“Just as people respond better to the personal touch, cows also feel happier and more relaxed if they are given a bit more one-to-one attention,” said Dr Catherine Douglas, lead researcher of the university’s School of Agriculture, Food and Rural Development. “By placing more importance on the individual, such as calling a cow by her name or interacting with the animal more as it grows up, we can not only improve the animal’s welfare and her perception of humans, but also increase milk production,” she added.

Drs Douglas and Peter Rowlinson have submitted the paper’s conclusion: “What our study shows is what many good, caring farmers have long since believed. Our data suggests that, on the whole, UK dairy farmers regard their cows as intelligent beings capable of experiencing a range of emotions.” The scientific paper also finds that “if cows are slightly fearful of humans, they could produce [the hormone] cortisol, which suppresses milk production,” Douglas noted. “Farmers who have named their cows, probably have a better relationship with them. They’re less fearful, more relaxed and less stressed, so that could have an effect on milk yield,” she added.

South Norfolk goldtop-milk producer Su Mahon, one of the country’s top breeder of Jersey dairy herds, agreed with Newcastle’s findings. “We treat all our cows like one of the family and maybe that’s why we produce more milk,” said Mrs Mahon. “The Jersey has got a mind of its own and is very intelligent. We had a cow called Florence who opened all the gates and we had to get the welder to put catches on to stop her. One of our customers asked me the other day: ‘Do your cows really know their names?’ I said: I really haven’t a clue. We always call them by their names – Florence or whatever. But whether they really do, goodness knows,” she added.

The researchers’ comparative study of production from the country’s National Milk Records reveals that “dairy farmers who reported calling their cows by name got 2,105 gallons (7,938 liters) out of their cows, compared with 2,029 gallons (7,680 liters) per 10-month lactation cycle, and regardless of the farm size or how much the cows were fed. (Some 46 percent of the farmers named their cows.)”

The Newcastle University team which has interviewed 516 UK dairy farmers, has discovered that almost half – 48% – called the cows by name, thereby cutting stress levels and reported a higher milk yield, than the 54% that did not give their cattle names and treated as just one of a herd. The study also reveals cows were made more docile while being milked.

“We love our cows here at Eachwick, and every one of them has a name,” said Dennis Gibb, with his brother Richard who co-owns Eachwick Red House Farm outside of Newcastle. “Collectively, we refer to them as ‘our ladies,’ but we know every one of them and each one has her own personality. They aren’t just our livelihood, they’re part of the family,” Gibb explained.

“My brother-in-law Bobby milks the cows and nearly all of them have their own name, which is quite something when there are about 200 of them. He would be quite happy to talk about every one of them. I think this research is great but I am not at all surprised by it. When you are working with cows on a daily basis you do get to know them individually and give then names.” Jackie Maxwell noted. Jackie and her husband Neill jointly operate the award-winning Doddington Dairy at Wooler, Doddington, Northumberland, which makes organic ice cream and cheeses with milk from its own Friesian cows.

But Marcia Endres, a University of Minnesota associate professor of dairy science, has criticized the Newcastle finding. “Individual care is important and could make a difference in health and productivity. But I would not necessarily say that just giving cows a name would be a foolproof indicator of better care,” she noted. According to a 2007 The Scientist article, named or otherwise, dairy cattle make six times more milk today than they did in the 1990s. “One reason is growth hormone that many U.S. farmers now inject their cows with to increase their milk output; another is milking practices that extend farther into cows’ pregnancies, according to the article; selective breeding also makes for lots of lactation,” it states.

Critics claimed the research was flawed and confused a correlation with causation. “Basically they asked farmers how to get more milk and whatever half the farmers said was the conclusion,” said Hank Campbell, author of Scientific Blogging. In 1996, the Department for Environment, Food and Rural Affairs provided for a complex new cattle passport system where farmers were issued with passport identities. The first calf born under the new regime were given names like “UK121216100001.”

Dr Douglas, however, counters that England doesn’t permit dairy cattle to be injected hormones. The European Union and Canada have banned recombinant bovine growth hormone (rGBH), which increases mastitis infection, requiring antibiotics treatment of infected animals. According to the Center for Food Safety, rGBH-treated cows also have higher levels of the hormone insulin-like growth factor 1 (IGF1), which may be associated with cancer.

In August 2008, Live Science published a study which revealed that cows have strange sixth sense of magnetic direction and are not as prone to cow-tipping. It cited a study of Google Earth satellite images which shows that “herds of cattle tend to face in the north-south direction of Earth’s magnetic lines while grazing or resting.”

Newcastle University is a research intensive university in Newcastle upon Tyne in the north-east of England. It was established as a School of Medicine and Surgery in 1834 and became the “University of Newcastle upon Tyne” by an Act of Parliament in August 1963.

The School of Agriculture, Food and Rural Development is a school of the Newcastle University Faculty of Science, Agriculture and Engineering, a faculty of Newcastle University. It was established in the city of Newcastle upon Tyne as the College of Physical Science in 1871 for the teaching of physical sciences, and was part of Durham University. It existed until 1937 when it joined the College of Medicine to form King’s College, Durham.

Friday, July 7, 2006

A 36-year-old man, who is yet to be named, is undergoing surgery after an attacker lodged a knife through one cheek and out the other. The handle broke off, leaving the 15-cm (about 6 inches) blade inside him. The man was rushed to hospital today, July 7, at about 2 a.m. NZST. The attack occurred last night after a domestic row in Albany on Auckland‘s North Shore.

New Zealand Police report that the knife just missed his optic nerve and his condition is stable and not life threatening.

John Chaplin, head and neck surgeon said, “the man could be treated relatively simply. The major blood vessels of the head were further back in the neck and the knife could be relatively easily removed in an operating theatre where bleeding could be controlled.”

The police have issued an arrest warrant for Vance Paraki Tuheke, 31-year-old, in relation to the attack.

The victim may suffer from some facial numbness.

Sunday, May 10, 2009

It happens once a year. Nearly all of Europe’s eyes are on 25 musical acts on finale night. Whether you love it or you hate it, it has your attention. Hundreds of millions are watching them. Whether viewers are waiting for the performance of a lifetime or a hilarious slip-up, for those three minutes their attention is owned by each respective singer.

That’s the feeling that the entrants in Moscow will know on Saturday, and it’s also the same feeling the eight singers who were interviewed by Wikinews have experienced. Last week, eight singers from eight different countries took time out of their various schedules to discuss their favorite moments from competing, their own personal anecdotes, advice they give to the performers this year in Moscow, who they think will win, and most importantly to them, what they’re doing now and what they’re offering to their audience.

This is the sixth and final interview set the English Wikinews will publish in the run-up to the semi-final and final rounds of the Eurovision Song Contest. Mike Halterman conducted all interviews, and will conduct additional interviews after the Contest. The final round airs May 16 at 9 p.m. CET; check with your national broadcaster’s website for possible delays. Where available, the Contest’s final round will also be broadcast on national radio.

Jessica Garlick, originally from Kidwelly in Wales, became famous in 2001 for her participation in the singing competition Pop Idol, where she finished in ninth place. Four months later, she won A Song for Europe, the British national selection for the Eurovision Song Contest, and went on to represent the United Kingdom two months later at the Eurovision 2002 final in Tallinn, with the song “Come Back.” She placed third, which turned out to be the best result for the United Kingdom for the decade. Now 27, married and a mother, Jessica Garlick is returning to music with a new set of priorities.

((Mike Halterman)) What projects are you working on? What can your fan base expect to see from you this year?

Jessica Garlick: Right now I’m busy promoting my new single “Hard Not to Fall” which is due to be released this month…it’s available to download from iTunes from 9th May, with the official release being 25th May. I’m also currently co-writing my album, which will be released later on this year. It really does feel great to be back in the music industry.

((Mike Halterman)) What were some of the best memories you have from going to Eurovision? What advice would you give to the singers going to Eurovision for the first time this year?

Jessica Garlick: Some of my best memories from doing Eurovision would be visiting Estonia, I don’t think it’s a place I’d ever have visited if it wasn’t for performing there, and it really is beautiful. While I was there during the week I had the opportunity to fly out into the Baltic Sea via helicopter and spend the afternoon on board HMS Chatham too. I was allowed to drive the frigate, and got to perform to the troops on board, who were so appreciative.

I have so many more, and met such amazing people during the whole promotion and run-up period as well as the Eurovision week itself. My only regret is not taking as many photos as I would have liked to. So my advice to others doing Eurovision would be [to] definitely take lots of pictures, and really enjoy your performance and everything that representing your country brings with it.

((Mike Halterman)) The music videos for this year are up at youtube.com/eurovision. Which songs are your favorites and which country do you think has the best chance of winning?

Jessica Garlick: I have been fortunate enough to have been able to perform alongside some of this year’s Eurovision entries, and was totally impressed! I love the Iceland entry this year…the song “Is it True?” is a really beautiful ballad, and Johanna sings it really well! I would say that from a song point of view, this is definitely my favourite song.

I do, however, think that the Ukraine could win this year! Svetlana‘s performance is crazy!! She’s absolutely wild! Her live performance is out of control! She is definitely “in it to win it”, and is going all out to ensure she does everything to make this happen. She is one to watch on the night for sure! There will definitely be something amazing going on on stage during her performance. She’ll keep you captivated, and make it memorable!!

((Mike Halterman)) A lot of the fans you had from when you were on Pop Idol and Eurovision 2002 don’t know the reason why you dropped out of music and out of sight. What happened? Also, do you find it difficult returning to the music industry after being away for six years?

Jessica Garlick: After Pop Idol and Eurovision I started to write songs…something I had never done before, and didn’t think I would be any good at. But I have been fortunate enough to travel the world since, co-writing with some of the world’s best songwriters. I decided to take a step out of the industry for a while in 2004 when I got married to my teenage sweetheart Owen.

I lost my passion for music for a while if I’m honest and we wanted to travel together for a bit, and actually moved to Australia for a short time, before I got totally broody. So in 2007 I gave birth to my little girl Olivia, and have been doing the wife and at-home mummy thing since, which I absolutely love!!

I made the decision to get back in the studio and start writing again in January of this year and it felt so good, and when I recorded “Hard Not to Fall” I knew it was a song that I wanted everyone to hear, and I completely got my passion and drive back for it. The music industry has changed a lot since I was last in it…but in actual fact it’s working better for me this time.

I have a lot more control, which is important to me, especially with Olivia being my main priority…I am first and foremost a mum, and I want to be a good one at that, and I’m also working with people that I really like and trust, which makes working together fun, and music should be fun. It’s definitely a lot harder this time around, as I am juggling “real life” too, and I can’t afford to be the selfish person that being successful in the industry can sometimes mean you have to be. I’m having the most wonderful time being back though, and am almost astounded by the great support I have from all my old fans. They’re the best!!

Ani Lorak, born Karolina Kuiek (the name “Ani Lorak” is “Karolina” spelled backwards), first became famous for her vocal talent in Russia and her native Ukraine in 1995. She took part in arguably the biggest performance of her career at Eurovision in 2008, placing second with the song “Shady Lady.” Celebrating her 30th birthday in September, she has kept up a busy schedule, including the release of a new album.

((Mike Halterman)) What projects are you working on? What can your fan base expect to see from you this year?

Ani Lorak: I’ve just released my new album called “Sontse” (The Sun). The album was written and recorded in Greece at the “VOX studio” by Dimitris Kontopoulos, who also helped with the song “Shady Lady” for Eurovision 2008. The album will be released not only in Ukraine but also in Russia.

In the autumn I plan to start a large tour of 25 cities in support of the new album. Also, we are planning to play some solo concerts in the Palace “Ukraine” in Kiev. I was pleasantly surprised when, at the beginning of the year, an award came to my office from the British radio station “Eurovision Song Contest Radio.” By audience vote, its listeners named me the “Best Female Singer for 2008” for my song “Shady Lady.” I don’t like to think ahead and to anticipate, but I’ll try to do as much as my energies will allow so people can be fulfilled in the future.

((Mike Halterman)) What were some of the best memories you have from going to Eurovision? What advice would you give to the singers going to Eurovision for the first time this year?

Ani Lorak: Because I participated in the contest only in 2008, I can remember it all: during the promotional tour I visited many countries in which I hadn’t been before. I met wonderful people: Dimitris Kontopoulos, Roberto Cavalli; I made new friends and supporters. [Editor’s note: Roberto Cavalli designed the diamond dress Ani Lorak wore during her Eurovision performance.] I had to work very diligently to get the result [I got].

In Eurovision I found the heart of this contest. The “Artistic Award”, which [they] usually hand to the best artist of the contest, [was given to me]; Raffaella Carrà invited me to her television program in Italy, and my tours took me further and further away geographically. I really liked the atmosphere of [the] contest. All the contestants were friendly, happy, helped each other, and supported one another. Those weeks were not simple, but very happy in my life.

I wish to all the participants lots of inspiration, tenacity, crazy energy, hard work and belief in yourself and your strength. It is not unachievable; the main thing is to settle for being frank and sincere to the audience.

((Mike Halterman)) The music videos for this year are up at youtube.com/eurovision. Which songs are your favorites and which country do you think has the best chance of winning?

Ani Lorak: I can say one thing – Eurovision is a very unpredictable contest, and to do any predictions is very difficult. I know that in Moscow this year there will be many very well-known professional artists: Sakis Rouvas and Patricia Kaas. The main thing in this contest is to enter the scene and present for your country 200%. I wish good luck to all participants, but I’ll root, as a patriot, for my country.

((Mike Halterman)) What goals have you not achieved yet in your career, but would like to eventually?

Ani Lorak: We have a proverb: “If you want God to laugh, then tell Him about your plans.” It’s important to have enough strength for my professional accomplishments, for my career, and for my eventual creative achievements. But all this must go together with my personal life. I want to realize my self-worth in all spheres. Maybe I’ll open my own clothing line.

But most importantly for me, every day I will raise the bar with regard to my professional development as a singer and artist. The main point – I have everything ahead of me, and I will go to [any lengths to] achieve my dreams — my Oscar is yet to come!

Marija Naumova, who goes by the stage name Marie N, is best-known to European audiences for winning the Eurovision Song Contest for Latvia in 2002 with her song “I Wanna.” The next year, she hosted the Contest in Riga with past Latvian entrant Ren?rs Kaupers. Now 35, she has moved a lot of her focus to musical theatre and is very serious about honing her talent.

((Mike Halterman)) What projects are you working on? What can your fan base expect to see from you this year?

Marie N: At this time I am a student at acting school in Paris, so now all [my] plans are more about theatre, but I also started to work on my new album and I hope that at the end of the year I [can] present that to [the] audience, but I think that at the moment it’s too early to talk about it. [smile]

((Mike Halterman)) What were some of the best memories you have from going to Eurovision? What advice would you give to the singers going to Eurovision for the first time this year?

Marie N: I liked everything during the week we spent there. We really had a lot of fun. The [atmosphere] was very professional, participants were very friendly…but the most emotional [part] was our trip back home – the way from Tallinn to Riga by bus with the police accompanying us and people waiting for us with flowers along the road…

The only advice is to enjoy every moment and especially the three minutes of the presentation – it is really something special. [smile]

((Mike Halterman)) The music videos for this year are up at youtube.com/eurovision. Which songs are your favorites and which country do you think has the best chance of winning?

Marie N: I think that there are a lot of songs which have chances to win, but it depends on the energy that [the] singers will bring with them [to] the stage on that special evening.

((Mike Halterman)) Which task was more fun for you, winning Eurovision or hosting it the next year? Which one made you more nervous, and why?

Marie N: Of course singing was more fun than the hosting because you are responsible only for yourself, but hosting brings a responsibility for the whole show. I wish all the best for all the participants; enjoy. [smile]

Niels Olsen, nicknamed “Noller,” (pictured, left) and his older brother Jørgen (right) make up the duo The Olsen Brothers. A well-known act in Denmark since the early 1970s, the duo successfully staked a new claim to relevance by winning the Eurovision Song Contest in 2000 with the entry “Fly on the Wings of Love.” Now 55, Niels Olsen uses every chance possible to let his audience know that age is simply a number, especially in Eurovision which tends to favor younger entrants.

((Mike Halterman)) What projects are you working on? What can your fan base expect to see from you this year?

Niels Olsen: We are working on a new album and we will make a small tour to Sweden, Norway and Denmark for the rest of the year, so that’s what our fans can expect. The album will be released in 2010.

((Mike Halterman)) What were some of the best memories you have from going to Eurovision? What advice would you give to the singers going to Eurovision for the first time this year?

Niels Olsen: The best memory…well, it’s hard to say…we had a lot of fantastic memories from Stockholm in 2000. We will never forget the love we received from the public in all the European countries right after Stockholm, and the response from the Swedish people at the event. Apropos, I said to my brother after the first performance, “Well, Jørgen, I think it could be possible for us to have a hit in Sweden!!”

I would say to a “new” artist: Remember that you are not the center of the universe, and in a world perspective, the situation is not that bad if you lose the Eurovision. Stick to the ones you love and try to involve people you believe in, not the ones who promise you everything in life. In our case we have had the same manager for 35 years, we have been working with our friend and producer Stig Kreutzfeldt for 25 years, and so on. We have [made] several hits the last 35 years with these fantastic friends.

((Mike Halterman)) The music videos for this year are up at youtube.com/eurovision. Which songs are your favorites and which country do you think has the best chance of winning?

Niels Olsen: Well, I haven’t heard all the songs, but I personally find the Danish, the English, and the Swedish songs very nice, but as I [said], I haven’t heard all the songs yet.

((Mike Halterman)) The Danish version of your winning song implies women “get better with age.” Which women in the entertainment industry do you think personify that sentiment, and why?

Niels Olsen: Personally I think my wife is still a beautiful woman, but I think as you said “getting better with age” is not the right word. My wife is still a lively and attractive woman, and we are both in love with life. I also think that a woman like Annie Lennox is a beautiful woman, even though she is past 50. (Sorry, [I know] we don’t talk about a woman’s age normally. Sorry, Miss Lennox.)

Hanna Pakarinen, from Lappeenranta in Finland, first became well-known in her home country for winning the Idols television series in 2004. In 2007, she was chosen to represent Finland at Eurovision, placing 17th in the final with the song “Leave Me Alone.” Her most recent album went gold this year, and she celebrated her 28th birthday last month, her combined CD sales having risen to over 180,000.

((Mike Halterman)) What projects are you working on? What can your fan base expect to see from you this year?

Hanna Pakarinen: I released my fourth album “Love in a Million Shades” earlier this year, and now I’m doing gigs around Finland.

((Mike Halterman)) What were some of the best memories you have from going to Eurovision? What advice would you give to the singers going to Eurovision for the first time this year?

Hanna Pakarinen: I think the best memory is the moment when I got up on stage in the finals. That was amazing!

It’s hard to give any advice, but I think the only thing that’s important is just to be yourself and have fun. [smile]

((Mike Halterman)) The music videos for this year are up at youtube.com/eurovision. Which songs are your favorites and which country do you think has the best chance of winning?

Hanna Pakarinen: Of course I think the best song is the Finnish song. [smile] It’s very hard to say who is going to win; it’s the same thing every year, you never know!

((Mike Halterman)) Apart from music, what are some things that are very close to your heart? How would you like to use your popularity to help others?

Hanna Pakarinen: My family and friends, of course, and my hometown and the lake there.

I’m not really a big fan of the idea of being a role model but I’m trying to do my best, showing and telling the fans that the most important thing is to love yourself and be who you are. And always trust yourself, of course!

Charlotte Perrelli, originally Charlotte Nilsson, was an alumnus of two popular “dansbands” in Sweden before winning the Eurovision Song Contest in 1999 with the song “Take Me to Your Heaven.” She quickly became one of Sweden’s most popular solo artists, and released six albums which all charted in the Swedish Top 40. In 2008 she returned to Eurovision with the highly favored “Hero,” only to be saved at the last minute by jury decision and ranking a low 18th out of 25 nations in the final round. Perrelli, now 34, discusses her achievements and favorite moments of the past decade.

((Mike Halterman)) What projects are you working on? What can your fan base expect to see from you this year?

Charlotte Perrelli: I’m searching for new songs to [include on] my upcoming album. I´m also on the jury for the Swedish TV show Talang (Talent; the Swedish version of the “___’s Got Talent!” TV series). They can expect a new album, hopefully this year.

((Mike Halterman)) You went to Eurovision twice, winning the Contest in 1999 and then also entering last year. What were some of the best memories you had from both times you went to Eurovision?

Charlotte Perrelli: The victory in Jerusalem in ’99 was fantastic, of course. My funniest memory was when Dana [International] fell on-stage, it was unbelievable and I felt sorry for her. Last year I had a lot of memories. Everything was so different from ’99. So much bigger!

((Mike Halterman)) The music videos for this year are up at youtube.com/eurovision. Which songs are your favorites and which country do you think has the best chance of winning?

Charlotte Perrelli: I like many of the songs this year, but I believe Norway will win.

((Mike Halterman)) Which of the songs you’ve recorded is your favorite?

Charlotte Perrelli: Hmm. I have many favorites, but “Black and Blue” from my last CD is a great song; [it was] written by Fredrik Kempe. I love the lyrics.

Sirouhi Haroutunyan, nicknamed Sirusho, has been one of the most popular pop singers in Armenia since the release of her first album at age 13. In 2008, she represented Armenia at Eurovision, finishing in fourth place with the song “Qélé, Qélé.” Now 22, she is close to finishing her bachelor’s degree while still keeping up an active pace of performances and studio sessions.

((Mike Halterman)) What projects are you working on? What can your fan base expect to see from you this year?

Sirusho: I am currently working on a few big projects, one of them is the new song”Time to Pray” that I have made with my colleagues from Eurovision, Boaz Mauda and Jelena Tomasevic. The song is a protest against war, and the English lyrics are written by the President of Israel, Shimon Peres. I am also working on my fourth album which will be released in [the] summer. I also premiered my new song in Greek, “Erotas”, and it is already number one [on] all the Armenian music charts. My fans are very strong and it’s only a pleasure to work hard for them.

((Mike Halterman)) What were some of the best memories you have from going to Eurovision? What advice would you give to the singers going to Eurovision for the first time this year?

Sirusho: Eurovision is a big fun festival. I don’t want to call it a competition, because the contestants become friends. I wish for the participants to really enjoy [themselves] and not be scared of it. Eurovision can give and take so much; it took my career to a new level, [and] now I work and have fans all over Europe and it’s amazing.

((Mike Halterman)) The music videos for this year are up at youtube.com/eurovision. Which songs are your favorites and which country do you think has the best chance of winning?

Sirusho: I have met some of this year’s participants in different countries where I was singing as a guest and they were doing their promo tours. I haven’t seen all the performances so I can’t judge. Also, Eurovision is all about unexpected surprises; that’s what makes it interesting.

((Mike Halterman)) You pursued a bachelor’s degree in international relations. How do you wish to utilize your degree? If you had to stop singing tomorrow, what kind of career would you want to pursue with the degree you hold?

Sirusho: International affairs is something that had interested me. I like to learn. I always tend to learn more but I don’t even want to think about stopping my career. I was born with it, it’s a big part of who I am, and even if something happens to my vocal cords, I can go on with writing and producing songs for my colleagues…[but] enough about that; I still have so much in me to give to myaudience!

Taj?i, born Tatjana Matejaš, shot to fame in Yugoslavia at the age of 19, achieving diamond sales with her signature hit “Hajde da ludujemo“ (Let’s Go Crazy). She performed the song at the Eurovision Song Contest in 1990, held in her hometown of Zagreb, and placed seventh. The war in the former Yugoslavia cut her career short, and she moved to the United States, where she has lived for the past 17 years. She now tours with her husband across the United States, performing selections of contemporary Christian music. At 38, she is overjoyed to “have it all”: a family of her own and the chance to make music on her own terms. Her career is chronicled on her website.

((Mike Halterman)) What projects are you working on? What can your fans in both America and in Europe expect to see from you this year?

Taj?i: Apart from my regular tours, which I do four a year, I am working on a show called “Need a Break,” which is a bit of a step from my spiritual music and more “everyday.” It’s more what mothers go through, with marriage and kids. It’s a funny show. What I do well is I tell stories. It’s how I am. It’s who I am. It’s why pop music didn’t work for me as an artist. This new format is great for me, it’s very fulfilling and I’m very excited and looking forward to it, being able to do that and explore musical styles.

I’m also hoping to go to Zagreb this year and bring my new music to them. I think it’s time. I’ve been away for 17 years, and they still play my old music, and occasionally I go there and do radio and television interviews…I don’t know, it’s time for them to see what I’m doing. Anyone can see my stuff online, but what I do best is live; there’s a lot of energy and power there that you can’t really see in a recording or in a video. It’s different when you’re actually in the room. I want to bring it to them and say, “Here, my countrymen, my old fans, this is who I am now. This is how I grew over the last 17 years.” Kind of like a reunion.

((Mike Halterman)) What were some of the best memories you have from going to Eurovision? What advice would you give to the singers going to Eurovision for the first time this year?

Taj?i: I really enjoyed performing, I enjoyed the energy, everyone coming together and singing, talking with other people about their careers. That was the highlight. I didn’t care for the press or the competition aspect, but there’s so much to think about, the whole country is looking at you. I don’t think it could ever be just about music, it’s more political. But there’s always stuff that comes with it when you have any kind of gathering like that.

The time I was there, I was the last representative before the fall of Yugoslavia, and it was during the unification of Europe, and everyone was a bit more tense and elevated in that regard…and I was so young to experience all of that. I don’t think I knew what to quite make of it. But it was a great experience, I’ll always remember it. The night of my life, one of them anyway.

It’s also very emotional because the singer who won that year sang about “unite unite, Europe.” It was perfect at that time. After he won, in the green room, he pulled a red rose from the bouquet and gave it to me, and he paid me some compliments. For a 19-year-old girl, that meant a lot.

My advice is to have fun, and do it with all your heart. Don’t do it for the sole reason to win, not to launch your career, but because you love it, and it’s what you do and you’re good at it. You can be an inspiration to someone and it can be more than just providing entertainment.

((Mike Halterman)) The music videos for this year are up at http://www.youtube.com/eurovision . Which songs are your favorites and which country do you think has the best chance of winning?

Taj?i: Since we’re in the middle of a tour, I kind of scrolled through, and I think the quality of the songs are really wonderful. I feel like I want to pack my bags and go to Europe for the summer, because I think this is going to be a summer for some great club music!

I’m partial to countries [who sing] in their original language, and I can see how a lot of countries, how even when they do the dance number and include ethnic elements, I like that.

I like the guy from Norway, I think he’s so sincere and didn’t look to me like he was “trying” anything, he was just being himself. The song is nice and happy. It doesn’t hurt that he’s really handsome, and has a good aura about him. He had so much energy, and he grabbed me right away, the way he moved, the way he sang, it just pulled me in.

I also love Malta, I’m a fan of the big ballads. She has a beautiful voice. And Cyprus, she “did it” for me too. I also like the French song as well, but I also love the French language in general. Bosnia has a good song too, they have a certain sentiment that they always pull from and it works for them. Croatia, I wasn’t too blown away, but I’m proud of them for still singing in Croatian, even though it may not sound as pretty as English to some people. Everything else, it was like, “It’s beautiful, but I’ve seen it before.”

Everything seems like Hollywood now, I guess because it’s the times we live in now. All the girls are so pretty and the hair and makeup are perfect, and now I feel like an old lady, but I miss the characters from different parts of the world. It’s influenced so much by Hollywood and the Western music industry. It was inevitable, the melting of it [East and West] all into one, so I’m partial to bringing some sort of local element into it. It comes with finding your identity and finding your place in the world as a country.

I volunteer and give my time to a local school and teach the schoolchildren ethnic dances. I live in the Midwest now, but I used to live in Los Angeles and New York where they are a little more aware of ethnic groups. I’m teaching them these dances to give them a little sense of what’s being lost to the new kinds of culture and music. I teach some kids who were adopted from other countries, and I wonder, wow, are they ever going to be able to sing a song in Bulgarian, or Italian, or what have you?

My kids are half-American and half-Croatian, and I see how in my own life, being “globalized” and how people are losing the ethnic folklore and culture and all that, so with my kids, I try to teach them language and how to dance, because it’s the way I grew up.

((Mike Halterman)) I watched a clip of your documentary on YouTube, and I noticed one of the comments, asking you “not to forget your home, Croatia,” and to come back because the fans there miss you. Now that you’ve made a life for yourself in America, do you ever see yourself moving back to Croatia with your family? Which country do you feel more ties and loyalty to, the United States or Croatia, and why?

Taj?i: I want to take the kids and at least spend a year there when they’re teenagers, so I can show them my country and so they can learn different things there. But I don’t know, once you leave, it’s hard to go back. I miss my country, I miss the history. I miss my roots. I miss running into a friend and talking about high school and grade school, stuff that you don’t have when you move away. I love what I do, and I love what America has to offer, and what America did offer to me. There’s a certain kind of freedom that you have that you can’t have in a smaller country.

I will always be Croatian, it doesn’t matter how long I stay here. When I go home to Croatia, when I go there, I feel like I’m home, but when I come back to America, I feel like I’m home here too. I guess I have to say that a person can be “home” anywhere if they have peace within themselves. You’re gonna miss a lot of things about places you have been, and I do miss Croatia. I want to show my kids where I grew up and the parks where I played. That just may be a sentiment I’m going through right now, I don’t know. I have a good life, my husband and kids, and I love being able to make the kind of music I want to, without any contracts or obligations. I’m very happy.

Friday, May 11, 2007

NASA has unveiled the new telescope that will replace the Hubble Space Telescope in Washington D.C. called the James Webb Space Telescope [JWST]. Currently, NASA has a life-sized model on display to the public which is as tall as a two story house and weighs several tons.

Researchers at NASA say that the Webb telescope will be able to see farther than Hubble “to the beginning of time.”

“It will find the first galaxies and will peer through dusty clouds to see stars forming planetary systems, connecting the Milky Way to our own Solar System,” said a statement posted on NASA’s website. It will be sent into space where it will orbit nearly 2,000,000 miles from Earth.

JWST will have a large mirror, 6.5 meters (21.3 feet) in diameter and a sunshield the size of a tennis court.

Northrop Grumman is contracted to build the telescope and will be jointly operated by NASA, the European Space Agency and the Canadian Space Agency. It is scheduled to launch in 2013 from Arianespace’s ELA-3 launch complex at European Spaceport located near Kourou, French Guiana.